Party: AMANDA LEPORE Labor Day Weekend Celebration

Party: AMANDA LEPORE Labor Day Weekend Celebration

Sunday
SEPTEMBER 06, 2015
21+ FREE before 9pm

Labor Day Weekend celebration @ the F with AMANDA LEPORE.

“The Most Expensive Body On Earth”

The world’s most famous transsexual and an effervescent fixture on the New York scene, Amanda Lepore has been at the cutting edge of culture since the club kid era, breaking and re-making the rules for music, marketing, and gender.

Her album, I…Amanda Lepore, is the culmination of her long reign as the queen of Gotham’s button pushing (and button popping) carnival, cementing her status as the most prevalent risk taking creative artist and good-time gal after dark. A sort of woozy inflatable doll, Amanda comes off like a Jeff Koons statue of Marilyn Monroe, a walking work in progress whose nonstop array of surgeries have made her a unique comment on womanhood, and every inch a dame.

In Milan, she was dubbed La Silicona. In New York, she gets paid to enter a room, lips first. It’s not a party until her benevolent presence is spotted on a banquette, like a space alien sex goddess crossed with a curvy Disney goldfish, doling out insights, giggles, and occasionally free drink tickets. A dominatrix and a regular member of Michael Alig’s clubland circus at Limelight’s weekly Disco 2000 in the early ‘90s, Amanda went on to work Patricia Field’s makeup counter while finding her constantly changing face the most marketable object in town, it’s been used to promote Heatherette, M.A.C., Swatch, Smart Car, Perrier, Pop Water and Sergio K, just to name a few trendy brands, including her own limited edition fragrance by Artware Editions, and in 2006, way before he designed for that other first lady, Jason Wu did a limited edition Amanda Lepore doll, three versions, which represented her in plastic—a creative act that made perfect (dollars and) sense.

“But who is Amanda Lepore?” is an often overheard remark, second only to “But WHAT is Amanda Lepore?”

Well, back in the ‘90s, a newspaper column blithely called Amanda a drag queen, so she mailed them a Polaroid of herself giving them the finger (with no clothes on, by the way). “I’m a transsexual,” the exasperated diva explained to me at the time. “I have a vagina!” She’ll even show it to you! In person! And as with a lot of her transformations, it came pretty cheap. (As a boy in Cedar Grove, New Jersey, Amanda got hormones from a trannie friend in exchange for outfits. She ended up dating a surgeon who gave her a free nose job, a later boyfriend paying for her sexual reassignment. Who needs nationalized health care when you can just marry well?)

Things happen pretty enchantedly for Amanda, though this obscures the fact that beneath her vavoomy exterior is an unflappable person with a will of steel who invariably gets what she wants. Her obsessive dabblings in rhinoplasty, liquid silicone injections, eyelifts, and breast implants are calculated to make her the world’s most beautiful lab experiment—an iconic presence that artists from Elton John to The Drums to Tiga to The Dandy Warhols to Cazwell, have used to enhance their videos and that anyone with a camera—and half a brain—automatically aims her way. Amanda has worked with some the most renowned photographers and creatives in the world, including Terry Richardson and Pierre et Gilles.